Where the Sidewalk Ends (1950)

Where the sidewalk ends darkness prevails, and in the night, nobody can see who’s the good guy and who’s the bad guy.  

Dana Andrews in Where the Sidewalk Ends

Where the sidewalk ends, you’re on your own, making your own moral choices, with no guidance other than your past, and your own spur of the moment errors — your own dry, cold and helpless anger.

In this devilish and dangerous land, noir fuels the already heavy paranoia — and Where the Sidewalk Ends (1950) is an epic film noir, one of the greats, and it drives the cynicism home before kicking it to death in the garage.

Where the Sidewalk Ends - Dana Andrews, hardboiled and in a hat

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